The Myth of Eros and Psyche



The myth not only records the dynamics of romantic love in the male psyche it also reflects the fate of the feminine in our culture; it shows how the feminine values of feeling, relatedness, and soul consciousness have been virtually driven out of our culture by our partriarchal mentality.


One of the most important insights in the myth for women is the degree to which most men unconsciously search for their lost feminine side, for the feminine values in life, and attempt to find their unlived feminine side through woman.

Robert Johnson

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[[ The myth of Eros and Psyche is one of the sub-stories in The Metamorphoses of Apuleius. Augustine of Hippo referred to as The Golden Ass, and the series of related stories  is the only  ancient Roman novel in Latin to survive in its entirety. It reads surprisingly well, at least in the English translation….]]



From Lucius Apuleius: The Golden Ass

Book IV :28 -31 The tale of Cupid and Psyche: fatal beauty

In a certain city there lived a king and queen, who had three daughters of surpassing beauty.

Though the elder two were extremely pleasing, still it was thought they were only worthy of mortal praise; but the youngest girl’s looks were so delightful, so dazzling, no human speech in its poverty could celebrate them, or even rise to adequate description.

Crowds of eager citizens, and visitors alike, drawn by tales of this peerless vision, stood dumbfounded, marvelling at her exceptional loveliness, pressing thumb and forefinger together and touching them to their lips, and bowing their heads towards her in pious prayer as if she were truly the goddess Venus.

Soon the news spread through neighbouring cities, and the lands beyond its borders, that the goddess herself, born from the blue depths of the sea, emerging in spray from the foaming waves, was now gracing the earth in various places, appearing in many a mortal gathering or, if not that, then earth not ocean had given rise to a new creation, a new celestial emanation, another Venus, and as yet a virgin flower.


Day by day rumour gathered pace, and the fame of her beauty spread through the nearby islands, the mainland, and all but a few of the provinces.

People journeyed from far countries, and sailed the deep sea in swelling throngs, to witness the sight of the age. Venus’s shrines in Paphos, Cnidos, and even Cythera itself were no longer their destinations.

Her rites were neglected, her temples abandoned, her cushions were trodden underfoot, the ceremonies uncelebrated, the statues un-garlanded, the altars cold with forsaken ashes.

The girl it was, that people worshipped, seeking to propitiate the goddess’ great power in a human face. When she walked out of a morning, they would invoke transcendent Venus in feast and sacrifice.

And as she passed through the streets, crowds would shower her with garlands and flowers.


This extravagant bestowal of the honours due to heaven on a mere mortal girl roused Venus herself to violent anger.

She shook her head impatiently, and uttered these words of indignation to herself with a groan: “Behold me, the primal mother of all that is, the source of the elements, the whole world’s bountiful Venus, driven to divide my imperial honours with a lowly human! Is my name, established in heaven, to be traduced by earthly pollution?

Am I to suffer the vagaries of vicarious reverence, a share in the worship of my divinity? Is a girl, destined to die, to tread the earth in my likeness?

Was it nothing that Paris, that shepherd, whose just and honest verdict was approved by almighty Jove, preferred me for my matchless beauty to those other two great goddesses?

But she’ll reap no joy from usurping my honours, whatever she may be: I’ll soon make her regret that illicit beauty of hers



How to Go to Hell and Back (3): Orpheus Orpheus…
How to go to Hell and Back (2): Psyche Antonio…
  The hero’s main feat is to overcome the monster…

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